HANNAH HALE.................=........1) JOHN MILLS
b.9 Sept.1821................................b. 1810 Yate Lower Common, Glos
Hawkesbury, Glos..........................d. 1841 Somerset Cottage, Collins St.
d. Travalgon, Vic.Aus......................Melbourne, Victoria, Australia
1911 aged 90yrs.............................married 21 Dec.1836 Launstone
............................................................ 2) THOS. GEO. WASHINGTON ROBINSON
.................................................................b.1817 Belfast, Ireland
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_______________________________
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JOHN GILBERT a'BECKETT BOYD....b.1886 / died 1896 in a riding accident
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WILLIAM ( MERRIC BOYD ).............b.1888 / d.1959 / occ. Potter
|.................................................married DORIS GOUGH occ. Painter
|
THEODORE PENLEIGH BOYD...........b.1890 / d.1923 / occ. Painter
|.................................................married EDITH ANDERSON / occ. Painter
|
MARTIN a'BECKETT BOYD...............b.1893 / d.1972 / occ. Writer-novels based on the Boyd family
|
HELEN a'BECKETT BOYD.................b.1903 / d.1999 / occ. Painter
...................................................married NEVEN READ a Naval Officer.
|
Newspaper
Report of
Johns conviction
|
When John Mills died
Hannah married Tom Robinson who proceeded to spend his step child's fortune to the extent that Hannah left him. A series of court cases ensued where she accused Tom of mismanaging her daughters fortune while he insisted he was due part of it |
Emma, thanks to her father's insistence, had an upper class education then married the son
of the first Chief Justice in Victoria. The fact that her father had been a convict and two of her aunts had also married convicts did not trouble William who continued to pursue her despite her hesitation. The marriage was a cause of embarrassment to the a'Beckett family and the constant litigation between Emma's mother, Hannah, and her step father was the talk of Melbourne and uncomfortable for her and her husband, but mostly to that of her father in law, who due to this, left Australia and his post to settle in England for the rest of his life. Emma kept up the association with her half sisters and brothers and helped support them, she was very generous to all her family and the fortune of John Mills enabled her family and descendents to concentrate on their artistic inclinations without need for paid employment. Her best friend was her cousin on her mothers side whose father was also a convict and John Mills partner in the brewery. She was actually closer to her convict relatives than the "elite" members of Melbourne society.
She kept diaries from 1855 to 1905 which all survived but for the year of 1856. The family
travelled widely and often, not staying any length of time in any one place. A Biography by Brenda Niall and a book by Martin Boyd called much on the diaries for their entrance into the lives of the a'Becketts and the Boyds. |
daughter of GEORGE HALE and ANN FOX
|
EMMA MILLS..........=.......WILLIAM a'BECKETT
b.1838 N.S.W......................b.1833 Wiltshire, England
d.1906 Brighton,Vic.............d.1901 Brighton, Vic.Aus.
married 10 Jan.1858............son of Sir Wm. a'Beckett
Melbourne, Vic. Aus.............1st Justice of Supreme
occ.Painter.........................Court of Victoria, Aus. |
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|................|..............|...............|............|................|..............|
GEORGE.....JAMES......ALFRED.....AFFRA.....ADELAIDE....THOMAS....ERNEST
1843..........1845.......1846..........1849.......1850...........1852.........1854
-1928.........-1926......-1847........-1918......-1892.........-1943........-1854
Vic.Aus.......Vic.Aus....Vic.Aus.....Vic.Aus....Vic.Aus......Vic.Aus......Vic.Aus
married......married....................married....................married.....married
|
John Mills Brewery
in Melbourne
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|......................|......................|.......................|..................|....................|
EMILY..............EMMA...............CONSTANCE......WILLIAM........ARTHUR...........ETHEL
......................(MINNIE)...........MATILDA...........GILBERT...............................BEATRICE YSOBLE
b.1857.............b.1858..............b.1860.............b.1864...........b.1868............b.1870
Melbourne........Fitzroy.............Melbourne........Melbourne......Melbourne.......Melbourne
married............married............married............married.........married...........married
TALWORTH.......ARTHUR ............FRANK.............GERTRUDE......BEATRICE........CHARLES
BACKHOUSE.....MERRIC BOYD....BRETT..............WALSTAB.......WINDSOR........CHOLMLEY
an Architect.....a Painter...........A Lawyer.....................................................A Writer
7 children...................................................................................................4 children
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In 1866 William Arthur Callendar a Beckett ordered a large rectangle of stained
glass to adorn the front entrance of his newly established family home, the Grange in Berwick. Son of a highly respected judge, and conscious of his family's elevated lineage in gentry-starved Melbourne, it displayed the a Beckett coat of arms (along with the sundry other symbols of British rank - scrolls, mitres, swords) and the Latin motto: Immemor Sepulchri Struis Domos. In English the quotaton reads: "Forgetful of the tomb you build houses" - an odd blend of optimism and morbidity for a house that already rang with the cries of children.
Perhaps William a'Beckett made his choice hastily, for he certainly never
sought to explain the symbolism behind the motto; yet this obscure fragment from Horace's Odes came to have a certain prescience. It would be the governing impulse of several generations of this man's industrious, creative family.
It was the union between William a'Beckett, son of a Chief Justice, and Emma
Mills, daughter of a convict-turned-successful brewer, that created the conditions for future generations of artists - one of these being an effortless flow of money. The a'Becketts would always be able to purchase houses for their art-pursuing children - and in so doing, provide them with a domestic stability they might not otherwise have had. In a curiously Australian class reversal, however, the money that would allow such gestures, and would sustain this family's art for nearly three generations, came not from the velvet- lined a 'Beckett purse, but from the convict-tainted Mills one. It was the shrewed early acquisition of inner-city property by a former convict and the equally shrewed provisions of his will that kept the family afloat for several decades. Without those decades of financial ease, the seeds of an astonishing creativity might have withered before they bore fruit. As it was, the family tree grew hardy and strong. Perhaps because it had, as its central support, the impressive figure of Emma a'Beckett.
It is Emma, the convicts daughter, who emerges most strongly from the
shadow of her celebrated great grandchildren. A matriarch, who kept a firm hand on her tainted inheritance of inner-city properties, it was her love of the arts, and economic capacity to support her artistic children and grandchildren, that set the stage for so many extraordinary careers. She was the first in a line of shining-eyed, radiantly intelligent Boyd women, who treated marriae as a creative partnership, and were fortunate enough to get husbands who felt the same way.
However, Emma a'Beckett was no radical, and she recognised the value of the
right home - without such a thing, as she understood it, art and family seemed doomed to incompatibility. As a core family value, this ideal survived with remarkable tenacity. Yet it proved to be less advantageous to the artistic careers of her daughters and grand-daughters. Among those who showed promise was Emma's talented painter-daughter, Minnie, who went on to marry Arthur Meric Boyd, and coin the celebrated surname, as well as Minnie's daughters in law, Doris and Edith; and in turn their daughters, several of whom showed precocious talent (in particular the 15 year old Mary Boyd).
But if the success of the Boyd men relied on the maintenance of harmonious
environments in which both artistic life and famuily life might flourish, there was not space within this equation for two equally ambitious talents. Besides the responisibilities of homemaking, for these women who didn't have nurses for their children or maids for their kitchens, was a somewhat greater burden than it was for Emma a'Beckett in the 1860's'
The Boyd wives of the 20th century were artistic helpmates, and decorative
artists, but they consistently depriortised their own art for the sake of their husbands' However, the creative rewards of belonging to this warm, generous family circle might have been ample compensation. |
BASES OF CREATIVITY - BY EDWINA PRESTON - 2002
a synopsis of ' the boyds ' by brenda niall
|
EMMA MINNIE a'BECKETT.........=.......ARTHUR MERIC BOYD
b.23 Nov. 1858 Melbourne........................b.19 March 1862
Victoria, Australia....................................at Opaho, New Zealand
d.10th Sept.1936........ ............................married 14 January 1886
Sandringham, Vic.Aus..............................both established painters
occ.Watercolour Painter...........................at the time of marriage
shown at 3 exhibitions..............................d.30 July 1940
|
daughter of EMMA MILLS and WILLIAM a'BECKETT
|
ARTHUR MERIC BOYD moved from New Zealand to Australia in Jan. 1886 and married
EMMA MINNIE a'BECKETT, also an artist and daughter of HON. W.A.C. a'BECKETT of Melbourne. Proceeding to England they lived for a time at Westbury, Wiltshire, and in 1891 they both each had a picture in the Royal Academy exhibition. Boyd then travelled and painted a good deal on the continent of Europe, and returned to Australia about the end of 1893, where he lived mostly in Sandringham and other suburbs of Melbourne for the rest of hs life. He occasionally sent good work to the exhibitions of the Victorian Artists Society, but never mixed much with the artistic life of this time.
Both Mr. and Mrs. Boyd are represented by a picture in the national gallery in Melbourne.
They were able to pursue their interests due to an allowance afforded to them by Minnie's
mother EMMA a'BECKETT who had inherited her considerable fortune from her father JOHN MILLS. Both Arthur and Minnie studied at the National Gallery Art School where they had both enrolled in 1877.
They purchased a property at Yarra Glen about 30 miles out from Melbourne which they called
'Tralee' after Arthur's father, John Boyd's birthplace in Ireland. This was in addition to their Sandringham property and 3 Edward Street by the beach.
Emma died at Sandringham on 10th September 1936
Arthur died at Murrumbeena on 30 July 1940
They left three sons: THEODORE PENLEIGH BOYD, MARTIN a'BECKETT BOYD born
1893 a popular writer of fiction based on his family, and MERRIC BOYD, a potter, and a daughter HELEN a'BECKETT BOYD, a painter. |
His
Life
in brief
|
Emma with her
three grandsons |
WILLIAM (MERRIC BOYD )............=.......DORIS GOUGH
b.24 June 1888 St.Kilda, Vic.Aus.....................1889-1960
d.1959 Victoria, Aus......................................married 12 Oct.1915
occ. Potter...................................................occ. Painter
|
son of EMMA MINNIE a'BECKETT and ARTHUR MERIC BOYD
|
______________________________________________
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LUCY de GUZMAN BOYD....................(b.1916 - Ceramist / married HATTON BECK - Ceramist,Potter, Sculptor
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ARTHUR MERRIC BLOOMFIELD BOYD..(1920-1999) - Painter / married YVONNE LENNIE
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GUY MARTIN a'BECKETT BOYD...........(1923-1988) - Sculptor / married PHYLLIS EMMA NAIRN
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DAVID FIELDING GOUGH BOYD..........(b.1924 - Painter / married HERMIA LLOYD-JONES - Ceramic artist
|
MARY ELIZABETH BOYD....................(b.1926 - Painter / married 1) JOHN PERCIVAL - Painter, Potter, Sculptor
......................................................married 2) SIR SIDNEY NOLAN - Painter and became Lady Mary Nolan.
|
MERRIC BOYD enrolled at St.John's Theological College in St.Kilda to pursue a religious vocation but this did not
last. After leaving St.Johns he returned home to Tralee. He then served with the Australian forces in the War of 1914-18 enlisting in the Flying Corps May 1917 and embarked in the August of that year.
At this point he was leaving his wife and year old first child Lucy behind and also his studio pottery in Mumumbeena
where he produced both sculpture and pottery. (He is known as the 'Father of Studio Pottery' in Australia) Merric was late to join in the war due to his pacifist views - his wife Doris and her mother Evelyn Gough were committed Christian Scientists and were pacifists. In the event he spent 1918 in routine tasks in England and was discharged without having been in action. While in England he managed to study pottery at Wedgwood Potteries at Stoke on Trent in one of the post-war rehabilitation schemes for servicemen where he acquired new ideas and techniques in ceramics. On the voyage home in 1919 he gave pottery classes to fellow soldiers. |
THEODORE (PENLEIGH BOYD).......=......EDITH ANDERSON
b.1890 Wiltshire, England
d.28 Nov.1928 Victoria, Australia....................occ. Painter
In a car accident driving to Sydney
occ. Landscape Painter
|
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PAMELA BOYD..............................................born and died 1913
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JOHN a'BECKETT PENLEIGH (PAT) BOYD..........(1915-1980) - Painter and test pilot /married ANNE DAVEY
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ROBIN GERAR PENLEIGH BOYD........................(1919-1971) - Architect and writer / married PATRICIA MADDER
|
HELEN a'BECKETT BOYD.......=......NEVEN READ
b.1903 - d.1999
occ. Painter........................................occ. Naval Officer
|
daughter of WILLIAM MERRIC BOYD and DORIS GOUGH
|
LUCY de GUZMAN BOYD........=......HATTON BECK
b.1916
occ. Ceramist......................................occ. Ceramist, Potter, Sculptor
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LAWRENCE HATTON BECK.....(1940 - Actor
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ROBERT HATTON BECK..........(1942- Potter/Ceramist /
|........................................ married MARGOT GARDNER
|........................................(dau. of Painter Freidl Gardner)
|........................................issue 2 children
|
PAUL HATTON BECK.............(1948 - Musician
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GUY MARTIN a'BECKETT BOYD=PHYLLIS EMMA NAIRN
(1923-1988)
OCC. Sculptor
|
___________________________________
|
POLLY BOYD....................(1946- Artist, Painter
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JAMES PATRICK BOYD.......(1948- Painter and Sculptor
|
LUCY ELLEN BOYD............Painter
|
son of WILLIAM MERRIC BOYD and DORIS GOUGH
|
son of WILLIAM MERRIC BOYD and DORIS GOUGH
|
ARTHUR MERRIC BLOOMFIELD BOYD.....=.......YVONNE LENNIE
b.1920 - 1999
occ. Painter............................................................occ. Painter
|
___________________________________________
|
LENORE ANNE BOYD.......................b.1953 - Sculptor / had five children
|
SALLY DEIRDRE BOYD....................b.1956 - Sculptor / married BRUCE LAVERY BELLMAN - five children
|
DERRY CATHERINE BOYD................b.1957 - owner-operator of a graphic, web, and multimedia business
|.................................................married 1) VUTHICHAI SATIANYOT (also known as Yap Guan Soon)
|.................................................married 2) MICHAEL EVANS - 3 children
|
KIRSTIN DORIS BOYD.....................b.1960 - Author of children's literature
|.................................................married 1) JOHN MURRAY - graphic designer - 3 children
|.................................................married 2) KEN HARPER - drama teacher, playwright, gymnast, circus trainer
|
BENJAMIN MERRIC ELWYN BOYD.....b.1963 - one child
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CHARLOTTE BEATRICE MAGDALEN...b.1968 - Potter and Sculptor - 2 children
|..................................................married JOHN O'DONOHUE - digital technician
|
MARTIN DUNCAN GOUGH................b.1970
|
son of WILLIAM MERRIC BOYD and DORIS GOUGH
|
DAVID FIELDING GOUGH BOYD.....=.......HERMIA LLOYD-JONES
b.1924
occ. Painter..................................................occ. Ceramic artist
|
______________________________
|
AMANDA BOYD..............Painter and Costume designer
|
LUCINDA BOYD..............Model and Painter
|
CASSANDRA BOYD.........Painter and Illustrator
|
daughter of WILLIAM MERRIC BOYD and DORIS GOUGH
|
(Lady) MARY ELIZABETH BOYD.....=.......1)...JOHN PERCEVAL
b.1926................................................................Painter, Potter and Sculptor
occ. Painter ...............................................2)...SIR SIDNEY NOLAN
..........................................................................Painter
|
______________________________
|
MATTHEW PERCEVAL......Painter / married UTA - 3 children
|
TESSA PERCEVAL............Painter
|
CELIA PERCEVAL............Painter
|
ALICE PERCEVAL............Painter / children - Shanthi, Marlow, Thomas and Kitty
|
son of EMMA MINNIE a'BECKETT and ARTHUR MERIC BOYD
|
son of EMMA MINNIE a'BECKETT and ARTHUR MERIC BOYD
|
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|................................|...........................................|...............................................|
GAYNER READ.............SUSAN READ.........................ANDREW READ............................PRUDENCE READ
(1936-1988)...............b.1939.................................b.1942.......................................b.1947
occ. Painter ...............married................................married.....................................occ. Graphic Artist
married......................1) DOUGLAS CARPENTER.........1) JENNIFER HELM......................married
DEREK HOOPER............2) THOMAS EASTON...................2) BARBARA HOLLINGDALE......ALYITE' CREPPY
.................................3) BARRY BRINKLEY
|
SIMON b.1957
occ. Painter
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TIMOTHY b.1959
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LUCINDA b.1961
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SARAH b.1965
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PENELOPE CARPENTER
b.1962
|
KENNETH EASTON
b.1965
|
GRAEME EASTON
b.1970
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EMILY READ
b.1967
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GEORGE READ
b.1969
|
ROSALIND READ
b.1976
|
ARTHUR READ
b.1979
|
Biography Synopsis
|
Minnie (a'Beckett) Boyd - her watercolours of Murrumbeena and of her
daughter in law, Doris nee Gough, sketching beside the Yarra River |
Sculptor of Doris
by Merric Boyd
|
Link to bio of Theodore
Penleigh Boyd |
Lucy Beck with her son Paul
decorating her husbands pottery |
The Ancestry of Hannah Hale goes back to
the 1500's in Gloucestershire, U.K |
Biography
Synopsis |
Link to Biography of Guy
|
Link to Biography of Wm.Merric Boyd
|
Link to Biography of Arthur Merric Boyd
|
Link to Arthur Merric Boyd's Paintings
|
ROBIN GERAR PENLEIGH BOYD: Modernist Architect, critic and illustrator
and a prominent member of the artistic Boyd family dynasty,
regarded as one of Australia's most significant modernist architects
author of Australia's Homes and The Australian Ugliness
|
Low resolution, fair use of image of
"The Voyagers Near the Coast" by the artist David Boyd for this genealogy of his family. |
In a September 2004 art review, Alex McDonald of State of the Arts
magazine stated that David Boyd's work was 'ahead of his time in addressing the mistreatment of Indigenous people in [Australia]', but commented that an 'explanation for his frosty reception from Australian critics and dealers may have something to do with his choice of subject matter'. McDonald explained that the controversy may have stemmed from the fact that the 'legal system, race relations and religion' are 'not exactly popular issues' and were not 'up for debate in the late 1950s'. |
This page last modified on Sunday, March 01, 2009
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Hawkesbury
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Low resolution, fair use of image of these watercolours
by Minnie Boyd for this genealogy of her family. |
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image of Emma and grandsons for this genealogy of her family. |
Low resolution, fair use of image of this
photograph for this genealogy of her family. |